Becky Kinder - Entertainment Journalist

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Location: Los Angeles / Orange County, California, United States

CA certified acting instructor with over 20 years of experience in the business!

Thursday, June 28, 2007

"You Kill Me" provides deadly accurate and humorous look at addiction - Review by Becky Kinder

"You Kill Me" provides deadly accurate and humorous look at addiction

By Becky Kinder
Issue date: 6/28/07 Section: Diversions

Shoveling snow in the morning during the dead of winter in Buffalo, N.Y. would be chilly, right? Not for Frank, played by Ben Kingsley in "You Kill Me." Frank warms up with the bottle of vodka he takes huge gulps from every few feet, and he drinks it so easily you would think it was water. His cousin Stef (Marcus Thomas) stops by to check up on Frank's lonely and emotionally numb state and urges him to complete his next work assignment correctly.

The excess of drinking at all times of the day would get in the way of any job, and so it does with Frank's. Frank's job, however, isn't a 60 hour-a-week office job: It's working for the family business as the hit man for the Polish gang his uncle Roman (Phillip Baker Hall) heads. Denis Farina plays O'Leary, the leader of the Irish gang that is beginning to put pressure on the Polish gang, attempting to push them out of town or kill them in the process.

When Frank makes a horrible mistake on a very important assignment because of his drinking habits, he is confronted by his uncle and given the opportunity to sober up or else, as Roman says, "You can't work for us and we can't let you work for anybody else."

Shipped off to San Francisco, Frank attends his first Alcoholics Anonymous meeting, scoffing and wriggling in his chair, until he finally leaves early. Dave (Bill Pullman), the man who is the watchdog of Frank and his recovery, warns Frank not to slip up or else one call will be made and recovery will no longer be an option.

Frank meets new people at AA and is befriended by Tom (Luke Wilson). He eventually meets Laurel (Téa Leoni) while working his new job at a mortuary, and a loving tug-of-war romance begins.

Since I'm not one to give things away, you readers will have to go out and watch the movie on your own to know the rest of the story, and definitely should.

A comedic drama, "You Kill Me" is packed with dry humor and the serious issues of addiction, desensitization and family responsibility. This is not necessarily a comedy to give you a stomachache, but the characters are played in such a natural and focused way that you can't help but laugh, either at the jokes or through relating in some way to the characters and what they are going through.

Director John Dahl does a fantastic job joining the dialogue with visuals that make the messages of the film pop. The audience can see that small changes, and sometimes big ones, can positively affect your life even if it is just as simple as changing the direction you walk down a steep hill.

Kingsley plays Frank's transition with fluidity and subtlety, and we see the inward reflections of change. With Dahl's direction, the literal reflections, such as those in hand mirrors and windows, are also shown. These can grab the audience with a pull toward our own awareness, becoming a beacon of light in the mist of the doubt and confusion we all can face.

Just as in real life, everybody can go further with the support of others. Leoni and Wilson are superb supporting actors and play their roles with precision. Each actor clearly shows what they are thinking and feeling, at times without any dialogue.

The soundtrack is never distracting and only adds to the film with songs such as "Requiem for Bowling Shoes," which plays during a scene in which Laurel brings in bowling shoes to be worn by her deceased stepfather at his viewing.

"You Kill Me" is a really worthwhile film overall even with the few characters or moments I found overbearing or awkward. Its messages of self-improvement and the necessity of leaning on others for help in order to better yourself are applicable to any life.

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Strength and beauty found in Josh Groban's album 'Awake' - Review by Becky Kinder

Strength and beauty found in Josh Groban's album 'Awake'
Becky Kinder
Issue date: 12/6/06 Section: Diversions
PrintEmail Article Tools Page 1 of 1 Josh Groban's third album titled "Awake" is a remarkable genre mix of pop and classical sounds with songs to fit almost any mood.

There is a buildup from silence to an energy that is still delicate and airy in the first track, "Mai." The song is sung in Italian, but its beauty transcends language.

"You Are Loved," the first single released from the album, is my favorite song on the album. A positive and uplifting message that lingers in the heart is given through the lyrics.

The power from the music in "You Are Loved," along with Groban's skillful voice, is unrelenting and each combines to create an amazing listening experience. I recommend that you definitely turn the volume up and maybe even close your eyes on this one.

Groban's vocal quality and his control over it have been maturing with each album he releases, leaving behind the potentially over-bearing vibrato he has had in the past, giving a smooth quality the album needs to appeal to a wider audience. "Awake" shows Groban's tremendous vocal growth and that he's coming into his own as an artist.

"I learned from touring that my fans are really open-minded, musical, intelligent people and I feel like they want to come on this new journey with me," Groban said on his official Web site. "The music still sounds like it's coming from my heart and my soul and my voice. That is always the most important thing to me. My goal on 'Awake' was to create the music and find the best people to help me create it."

Some of those people include producers such as Marius DeVries, David Foster and Dave Matthews, who wrote "Lullaby" along with Groban.

With no disrespect to its hauntingly beautiful harmony, "Lullaby" is a little out of place on the album, possibly more suitable for an album that has more of an overall soft focus and steers away from any kind of pop sound. The sound is piercing, though, and I was happy to listen to it.

Groban had a part in writing some of the other songs on "Awake," such as "Now or Never" and the icy cool jazz-like track, "Machine."

Groban also recorded "Lullaby" and "Weeping" with longtime idols Ladysmith Black Mambazo.

In addition to his outstanding voice and his skill with songwriting, the keyboards on "February Song" are played by Groban as well. According to his Web site, the song came to the 25-year-old on a sleepless night.

You can buy the album in stores, but there is also an Internet-Only Limited Edition of "Awake" that includes three additional tracks, video footage and an exclusive cover. If the additional tracks are anything like the tracks on his in-stores album, it would be worth getting the limited edition.

The musical tapestry woven by Groban and those he created this album with is beautiful, with meaningful lyrics and songs that will stand the test of time. It's his best yet, and by far.

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My Chemical Romances' latest album "Black Parade" is catchy, but not necessarily worth the wait. - Review by Becky Kinder

Becky Kinder
Issue date: 12/6/06 Section: Diversions
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Media Credit: Photo courtesy of My Chemical Romance
My Chemical Romance has just released its fourth studio album, "The Black Parade."


My Chemical Romances' latest album "Black Parade" is catchy, but not necessarily worth the wait.

"The End" concludes in such a way that is generally unfitting and transfers abruptly into the next song, "Dead." The music in each song is certainly similar enough to have some kind of cohesive sound making the transition a little more acceptable, but listeners are then left with two songs that are too similar and therefore redundant and unnecessary.

The album's title song, "Welcome to the Black Parade," should have been placed as the first track or the last track instead of the fifth, introducing or completing the album with the force that it was missing.

The first track didn't get me excited about listening to the rest of the album, and the last track did not leave me wanting to hear more either. Energized vocals from Gerard Way work well with the music in "Welcome to the Black Parade," but he could have use a more rounded vocal sound, veering away from the nasal tinge used in most of their songs.

"House of Wolves" has such a vocal bite it almost doesn't work for the band at all, sounding generally too whiney instead of sharp.

The band seems to be becoming too pop-sounding because of Way's voice and the consistent whiney sound instead of sticking with the alternative sounds the band seems to want to aim for, especially with its overall style as a group, the album art, and the music videos. Way's focus should be on sounding stronger instead, aiming for a harsher sound overall, which is more fitting for My Chemical Romance's genre.

Several songs on this album have definitive similar sounds to other artists' songs, such as "I Don't Love You" and its intro sounding painfully close to Coldplay's "Yellow."

Parade and carnival sounds and musical patterns traipse through the album, including a more traditional, and possibly international type sound in track nine's "Mama" in both the music and in how Way pronounces the lyrics.

The chorus in "Famous Last Words" is probably my favorite part of any song on this album. Way's pipes finally fit the song. He's singing better than any other track, and lyrics such as, "I am not afraid to keep on living - I am not afraid to walk this world alone," give the group more depth than other rock bands.

I originally thought My Chemical Romance should have stuck with the sounds of its last album "Three Cheers for Sweet Revenge," but found that the album grew to be more enjoyable the more I listened to it, and so it seemed to be for others who have heard the album in its entirety as well.

My Chemical Romance does have a knack for creating songs with titles, lyrics and music that, for the most part, stay within their own individual themes. However, as the vocalist for an entire album, Way needs more work on changing his sound to better fit the songs and stick with each song's specific theme along with the other band mates.

Touring the country, My Chemical Romance may be a better bet and more entertaining to see live. They will be at the 91X Nightmare Before Xmas concert on Dec. 10 at the San Diego Sports Arena.

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